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Nightmare Abbey

Preface, Nightmare Abbey, Note on the Text, Notes, Extra Material: A Brief Introduction to Thomas Love Peacock, More Information about Thomas Love Peacock
Publisher: Renard Press Ltd
ISBN: 9781913724078
Products specifications
Author Thomas Love Peacock
Pub Date 28/07/2021
Binding Paperback / softback
Pages 160
Country United Kingdom
Dewey 823.7
GBPPrice 7.99
Availability Available
€9.86
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Nightmare Abbey is a novella by Thomas Love Peacock, first published in 1818, widely considered to be Peacock's most enduringly popular work. The narrative centres on Christopher Glowry, a miserly widower, his son Scythrop and a host of dismal-sounding servants in his family pile, Nightmare Abbey. Recovering from an ill-fated love affair, Scythrop dreams up various schemes to reform and regenerate the human species, but misanthropy lurks around every corner, and everything changes when a mermaid is spotted and a strange woman appears in his chamber. Although fundamentally a Gothic novel, and rich in allusion - from Pope to Dante, Rossini to Mozart - Nightmare Abbey is, at heart, a satire, as Peacock makes clear in the preface to a later edition, in which he describes the characters - allusions to his friends - as 'status-quo-ites', 'morbid visionaries', 'romantic enthusiasts' and 'lovers of good dinners'.
Nightmare Abbey is a novella by Thomas Love Peacock, first published in 1818, widely considered to be Peacock's most enduringly popular work. The narrative centres on Christopher Glowry, a miserly widower, his son Scythrop and a host of dismal-sounding servants in his family pile, Nightmare Abbey. Recovering from an ill-fated love affair, Scythrop dreams up various schemes to reform and regenerate the human species, but misanthropy lurks around every corner, and everything changes when a mermaid is spotted and a strange woman appears in his chamber. Although fundamentally a Gothic novel, and rich in allusion - from Pope to Dante, Rossini to Mozart - Nightmare Abbey is, at heart, a satire, as Peacock makes clear in the preface to a later edition, in which he describes the characters - allusions to his friends - as 'status-quo-ites', 'morbid visionaries', 'romantic enthusiasts' and 'lovers of good dinners'.
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