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York Notes Companions: Modernist Literature: 1890-1950

Part One: Introduction Part Two: A Cultural Overview Part Three: Texts, Writers and Contexts Modernist poetry - French Origins, English Settings: Baudelaire, Mallarme and the Georgians o Extended commentary: Imagism Modernist poetry - America, Ireland and England: Wallace Stevens, William Carlos Williams, Yeats and Eliot o Extended commentary: T. S. Eliot, The Waste Land (1922) * The Modernist novel and tradition: Flaubert, Mann, Kafka and Joyce Extended commentary: Joyce, The Portrait of the Artist as a Young Man (1916) * The Modernist novel II: Saki, Woolf and Lawrence Extended commentary: Lawrence, Women in Love (1920) The Modernist play I - Ibsen, Strindberg, Pirandello and Beckett Extended commentary: Beckett,Endgame (1957) The Modernist play II - Conrad, Brecht and Artaud o Extended commentary: Brecht, Baal (1923) Part Four: Critical theories and Debates Literature and War Modernist Print Culture Modernism, Music the Visual Arts Modernism and its Critics Part Five: Resources Timeline Further reading Index
ISBN: 9781408204764
Products specifications
Author Gary Day
Pub Date 15/06/2010
Binding Paperback / softback
Pages 352
Country United Kingdom
Dewey 820.900912
GBPPrice 10.99
Availability In stock
€13.57
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The period 1890 to 1950 is remarkable for radical innovation and literary development. This volume looks back to the origins of Modernism and the traditions that shaped it, examining texts from France, America, England and Ireland to provide a stimulating and original take on this unique movement in literary history. Combining textual analysis with key critical approaches, the book considers central texts such as Eliot's The Waste Land, Joyce's The Portrait of the Artist and Lawrence's Women in Love alongside wider debates on "Literature and War", "Modernism, Music and the Visual Arts" and "Modernism and its Critics".
The period 1890 to 1950 is remarkable for radical innovation and literary development. This volume looks back to the origins of Modernism and the traditions that shaped it, examining texts from France, America, England and Ireland to provide a stimulating and original take on this unique movement in literary history. Combining textual analysis with key critical approaches, the book considers central texts such as Eliot's The Waste Land, Joyce's The Portrait of the Artist and Lawrence's Women in Love alongside wider debates on "Literature and War", "Modernism, Music and the Visual Arts" and "Modernism and its Critics".
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